BOOKS
HUDBA V HUDBE
[MUSIC IN MUSIC]
Podoby polyštýlovosti v hudobnej tvorbe slovenských skladateľov 2. polovice 20. storočia
[Patterns of polystylism in the musical works of Slovak composers of the 2nd half of the 20th century]
Publisher: UKF Nitra, 2021
STUDIES
Manifestations of Polystylism in Miro Bázlik’s Composition: Great Polystylistic Synthesis
In: Slovenská hudba, Vol. XLIV, 2018, No. 4, pp. 351 – 374
Bad Habits in Guitar Playing or Some Comments on Certain Aspects of Teaching Methods of Classical Guitar – Elementary Level
In: Slovenská hudba, Vol. XLIV, 2018, No. 3, pp. 252 – 276
A Probe into the Music of Slovak Composers Living Abroad (with an Exclusive Focus on the Medium of Guitar) (in Slovak)
In: Slovenská hudba, vol. XLIII, 2017, no. 3, p. 261-273
Possibilities and Limitations of Graphic Scores (With a Special Focus on the Performance of the Piece by Milan Adamčiak) (in Slovak)
In: Slovenská hudba, vol. XLIII, 2017, no. 2, p. 128-133
Memories of Milan Adamciak (in Polish, translated by Agnieszka Słowikowska)
In: Glissando, 2017, no. 32, p. 96-98
INTERVIEWS
In conversation: Marc Sabat with Ondrej Vesely [interview] (in English)
In: https://brooklynrail.org/2017/10/music/marc-sabat-with-ondrej-vesely
Sérgio Assad: Personal approach can result in more interesting results
[interview] (in Slovak)
In: Hudobný život, vol. LI, 2019, no. 9, p. 16-18.
Petr Kotik: You can't dig old things out of the grave and dust them off. You need to focus on what you encounter nowadays
[interview] (in Slovak)
In: Hudobný život, vol. LI, 2019, no. 7-8, p. 25-26.
Renata Spisarova: We make ourselves happy with what we want to hear
[interview] (in Slovak)
n: Hudobný život, vol. LI, 2019, no. 7-8, p. 24-25.
Edin Karamazov: Playing on the street was a good school
[interview] (in Slovak)
in: Hudobný život, vol. LI, 2019, no. 7-8, p. 6-8.
Vladimir Bokes: Bad compositions have never caused a scandal in history
[interview] (in Slovak)
In: Hudobný život, vol. LI, 2019, no. 6, p. 15-17.
Peter Mazalan: Artistic freedom is relative
[interview] (in Slovak)
In: Hudobný život, vol. LI, 2019, no. 5, p. 24-26.
Pavol Malovec: Life with my father is already gone and it had a great value
[interview] (in Slovak)
In: Hudobný život, vol. LI, 2019, no. 1, p. 30-31.
Peter Duchnicky: Portrait
[interview] (in Slovak)
In: Hudobný život, vol. L, 2018, no. 10. p. 20-23.
Julius: Fujak: To be excited about a bizarre idea
[interview] (in Slovak)
In: Hudobný život, vol. L, 2018, no. 6. p. 14-16.
Jana Kmitova: I'm not afraid to take risks and try ideas
[interview] (in Slovak)
In: Hudobný život, vol. L, 2018, no. 7-8, p. 24-26.
Phill Niblock: I'm happy if a hundred people come to the concert and each of them says something different
[interview] (in Slovak)
In: Hudobný život, vol. L, 2018, no. 4, p. 23-24.
Marc Sabat: Sound effect is not a musical substance
[interview] (in Slovak)
In: Hudobný život, vol. L, 2018, no. 4, p. 24-25.
Olga Kroupova: World in Tones on the Background of Silence
[Interview ] (in Slovak)
In: Slovenská hudba, vol. XLIII, 2017, no. 3, p. 296-301
REVIEWS, REPORTAGES & CRITICS
Eva Šušková/Martin Burlas: Lexicon of the cold [CD review] (in Slovak)
In: Vlna, vol. 19, 2017, no. 72, p. 138
Ostrava days (2017) in restrospektive [reportage] (in Slovak)
In: Vlna, vol. 19, 2017, no. 72, p. 124-125
David Kollar: Notes I. / Alchemy of Success and Losses [review of a book with CD] (in Slovak)
In: Vlna, vol. 19, 2017, no. 70, p. 156
Eo ipso in the retrospective of the performer (in Slovak)
In: Hudobný život, vol. 19, 2017, no. 12, p. 9